Saħħara’s Tethered is a debut photography exhibition presented in Splendid Gallery located in Strait Street in Valletta. Sahhara’s selection of twenty images showcase the merge of a landscape aesthetic and human form. Highly precise and aesthetically engaging, Sahhara’s work is both classic and timeless.
"The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves. The meeting of two personalities is like the contact of two chemical substances: if there is any reaction, both are transformed." Carl Gustav Jung
With Take//Two's ROLLING in an exciting TV Talent Show produced by Abigail Mallia and Carlos De Battista where 20+ actors compete in an acting adventure, or an #ActorChallenge exploring Drama, Comedy, Shakespeare, as well as improv!
Enter Rolling, a noble quest to give actors of all ages a shot at fulfilling their dreams.
It is hosted by Abigail Mallia and Carlos De Battista who direct the Twenty//Two ambitious actors through their professional paces. The three finalists now may pursue acting as a professional career. They had auditions, an acting coach, a screen writer, and at the end of the series, for the three standout contestants, a showcase performance, attended and observed by professionals.
The actors are in their 20s and their stories are nicely varied.
Meet the Winners Ema Pantovic Jeanine Rodgers Scerri & Sean Jenkins in a TV #actingchallenge @Take//Two's Rolling on TVM!
Message in a Bottle where Ema Pantovic acts Calypso Goddess or a Nymph
Team 4 concluded the second episode of "Rolling" with a magical and mysterious scene of "Letter in a Bottle," collaborating with their writer, Erica Muscat, to create this powerful scene where lovers Sean Jenkins and Jeanine Rodgers Scerri find themselves beset by Ema Pantovic, a magical entity with extraordinary arcane powers.
Ema Pantovic with Sean Jenkins in the scene Hospital during the Finals
University of Malta Rector, Librarian and Keeper of Antiquities at the National Library of Malta, Director of Education in Malta's imperial administration, Caruana is best known for his activities as an archaeologist, has published numerous books and articles. He worked on the excavation of the Hagar Qim neolithic temple complex.
Lingua Maltese Studio Storico Etnografico e Filolgico by Caruana published in 1896
This brings me to a book I am researching at the moment published in Malta, in 1896, in Italian with the title “Lingua Maltese, Studio Storico, Etnografico e Filologico” by Em. Caruana, given to me by my dear neighbor friend as his most precious antique purchased as a rare item in Italy.
Lingua Maltese by Caruana published in 1896
Many of the ideas of this noble Maltese man have since been challenged, yet we find ourselves returning to them listening more closely to his story of Ancient Greeks in Malta. According to Caruana, all the Greek “Copto”-s that spoke Ionic Greek dialect are Slavic languages. The famous Rosetta Stone inscription is in 3 languages has also been written in the Ionic dialect. Ancient Egypt Rosetta Stone
Today we know that within the region, a more than a few educated souls were Greeks, for they even had Schools * (of Athens), some were Roman, sent out to the foreign lands to govern their provinces, we also find some Slavs, we know them by their names.
The region was "Roman”, that meant 10% of taxes on all goods, plus the legal benefits for carrying a Roman Name, for only a few could have called themselves “Romans”. Do you remember, that was the time of Caligula and Ceasar, mad-men convinced of their divinity, killing millions of villagers, while on their conquests.
The people of the region that calleditself " Macedon”aparenlly spoke a language different to Ancient Greek but had scholars that were fluent in Greek and Egyptian.
Decree of the Maltese with greek inscription 200 BC bronze from Malta - Epigraphic Collection of Archaeological Museum in Naples
Originally carved in Ionic Ancient Greek, now it is known by its Latin translations where the letters are not so profoundly expressed as symbols and frequencies,or music!!!
Translation of the Ancient Greek Maltese Napoli Decree 200 BC
Lingua Maltese, Studio Storico, Etnografico e Filologico” by Em. Caruana
The precious book from the 19th century, within its pages contains a study of the history of Malta during the time of Greeks for around 400 years, from 600 BC to 200 BC. The Maltese islands were somehow inside the cultural or commercial sphere of the Mycenaean civilization. Lycophron's brief reference to the settlement in Malta of a group of Greeks who, after the siege of Troy - 1250 BC were prevented by the gods from reaching their homelands.
The author refers to the time as the Golden era when democracy was introduced to the island that has already advanced in writing skills, received from Phoenicians. The identification of Gozo, with the Homeric island of Calypso is not a modern 'invention' but goes back to 300 BC.
Pella Tablet in Doric Greek in Macedonia 450 BC
The Pella curse tablet is a text written in a distinct Doric Greek idiom, found in Pella, the ancient capital of Macedon, in 1986.
Inscribed on a lead scroll, it is now dated to the first half of the 400 BC. The Pella curse tablet has been forwarded as argument that the Ancient Macedonian language was a dialect of North-Western Greek. Some, however, argue that the region spoke Ionic or Jonic (ć).
At 400 BC this is how anancient love letter / cursewas written by an obviously rich and totally spoiled youth who perhaps had Dionysophon and Thetima as her servents. Translated by Dr. James L. O'Neil (2006) says -
"I forbid by writing the ceremony and the marriage of Dionysophon and Thetima, and of all other women, and widows and virgins, but especially Thetima. And I assign them to Makron and the daimones. And whenever I shall unroll and read this again, after digging it up, then Dionysophon may marry, but not before. Mayhe not take any wife but me, and may I and no other woman grow old with Dionysophon. I am your suppliant; pity me, dear daimones, for I am weak and bereft of all friends. But protect me so this does not happen and evil Thetima will perish evilly, [undecipherable] mine, but may I be fortunate and blessed,"
The Dionysus cult was one of the region's “stay happy” and sing while praying...
Greeks and Macedonians, an Ancient Debate
Pre-Hellenistic Greek writers expressed an ambiguity about the Greekness of Macedonians portraying them as a potential barbarian threat to Greece. The late 500 BC sophist Thrasymachus of Chalcedon wrote, "we Greeks are enslaved to the barbarian Archelaus"
Demosthenes says for Philip II "not only no Greek, nor related to the Greeks, but not even a barbarian from any place that can be named with honor, but a pestilent knave from Macedonia, whence it was never yet possible to buy a decent slave".
He also calls Meidias, an Athenian statesman, "barbarian" and in an event mentioned by Athenaeus, the Boeotians, the Thessalians and the Eleans were labeled "barbarians"
In the Histories Herodotus calls king Alexander I, a Hellēn who ruled over Macedonians. in his eighth book he groups several Greek tribes under "Macedonians" and others under "Dorians".
Thucydides distinguishes between three groups fighting in the Peloponnesian War: The Greeks (including Peloponnesians), the barbarian Illyrians and the Macedonians.
Isocrates defending Philip's Greek origins wrote, "...he understood that Greeks are not accustomed to submit themselves to monarchy whereas others are incapable of living their lives without domination of this sort ... for he alone of the Greeks deemed it fit to rule over an ethnically unrelated population"
Isocrates to Philip: "Therefore, since the others are so lacking in spirit, I think it is opportune for you to head the war against the King; and, while it is only natural for the other descendants of Heracles, and for men who are under the bonds of their polities and laws, to cleave fondly to that state in which they happen to dwell, it is your privilege, as one who has been blessed with untrammelled freedom, to consider all Hellas your fatherland, as did the founder of your race, and to be as ready to brave perils for her sake as for the things about which you are personally most concerned."
Philip named the federation of Greek states "The Hellenes" (i.e. Greeks), and the Macedonians were granted two seats in the exclusively Greek League in 346 BC.
With Philip's conquest of Greece, Greeks and Macedonians enjoyed privileges at the royal court, although Philip's armies were only ever led by Macedonians. The process of Greek and Macedonian syncretism culminated during the reign of Alexander the Great, who allowed Greeks to command his armies.
Aristotle advising Alexander "to have regard for the Greeks as for friends and kindred"and has also in his Politics refered to Macedonians as barbarians.
J. King, Carol “Allowing that there were living in ancient Macedonia throughout the Archaic, Classical, and Hellenistic periods people who were Greek, people who were akin to Greeks, and people who were not Greek, if one seeks historical truth about an ancient people who have left no definitive record, one may have to let go of the hope for a definitive answer. The ancient Greeks themselves differentiated between “Greeks” and “Macedonians...”
Now, who were the Barbarians at the time? What does DNA analysis say about Slavs on Balkan? Serbs have almost 1/3 of the Balkan origin gene which peaks in Herzegovina. It has originated in Balkan and spread out 7000 years ago and into other people now called Slavs (in Europe). However, it is not the most prevalent for the other Slavs - only certain South Slavs, like Serbs, Macedonians, Montenegrins, Bosniaks & Bosnian Serbs and Southern Croats.
History is like Playing the Hesse's Glass Bead Game with Pythagoras...
Na lonču knjige poezije Jalova Plaža (Vojta l Bajja) Profesor Aron Aqualina u panelu sa drugim Malteškim piscima je pretstavio Malteškog poetu Džona Pitera Portelija, koristeći alegoriju Mediteranske Buganvie, koja, kako on kaže, je biljka koja laže, o svojeme cvetu, svojoj raskoši, snazi, veličanstvenosti. Buganvila opčini prolaznike pre nego što priđu da je detaljno zagledaju da sa iznenađenjem otkriju da se radi o žbunu, šarmatnom zavodniku, ne cvetu. Tako i umetnost mora da kreira svoju iluziju u svetu gde su gledaoci pozorišta sada već po čitavom svetu definisani kao niš: mala, izdvojena i posebna ciljna grupa.
U takvom scenariju našim svetovima, pronalazimo Džona koji je preveden na nekoliko jezika, crta Arapske karaktere i piše poeziju i na Grčkom. Kaže, da iako je 60, još uvek predaje na fakultetu u Maroku, gde studentima književnosti čita Marokansku spisateljku Lailu Lalami (Laila Lalami's Hope and Other Dangerous Pursuits (2005)).
Knjiga poezije Jalova Plaža, kolekcija od 67 pesama je originalno napisana na Malteškom, prevedena je na Engleski i sada je u procesu prevoda na Srpski.
e(rođen 1954) je profesor, poet i novelist iz Malte koji je živeo u Torontu, Kanadi.
Wikipedia: “John P. Portelli was born in Malta where, after completing a B.A. (Philosophy & Maltese, 1975), he taught history and modern languages at a secondary school and philosophy at a sixth form. In 1977 he was awarded a Commonwealth Scholarship and commenced his studies at McGill University from where he obtained an M.A. (1979) and a Ph.D. (1984) in Philosophy. Currently he is a professor in the Department of Social Justice Education, and the Department of Leadership, Higher and Adult Education at OISE, University of Toronto.
He has published 22 books including six collections of poetry, two collections of short stories and a novel, and over 100 articles and chapters in books. He has also made over 100 presentations at national and international conferences. Two of his books won the American Educational Studies Association Critic Award, and another of his books won the Canadian Association for the Foundations of Education Book Award.”
Urban Symphony investigated the continuum of harmony and disharmony in the urban environment of Valletta, The performance has comprised of movement, voice and musical instruments and it took place in Valletta, during the Dance Festival.
Community Dance Performance Urban Symphonies Nataša Pantović with Tibetan ball and dancers in Republic Street
St. George’s Square Valletta dancers in front of the Palace
Performance Urban Symphonies at Dance Festival Malta in Valletta photographer Elisa von Brockdorff dancers
Performance Urban Symphonies at Dance Festival Malta in Valletta Photographer Elisa von Brockdorff
Biographies
Julienne Schembri
Julienne is a performer, community artist, and creative producer. She creates communities of people moving together and has been active in the field of dance and movement for over ten years in London and more recently in Malta. She is a Certified Movement Analyst and movement educator. She is co-founder of Dance Beyond Borders, where she co-produces Refugee Week Malta. Currently, she shares a practice with Opening Doors, ZfinMalta, the University of Malta, and the Malta Dementia Society, where she is working as a board member for 2022/3.
Maya Felixbrodt
Maya Felixbrodt is a musician, Violist, and composer. She reconnects sound and music through music and the Laban Bartenieff Movement System. She is a Certified Movement Analyst and movement educator. She is the co-curator of Screen Dive, co-founder and artistic director of Moving Strings, and a member of the duos Zvov and NO HORNS. ARTIST BLURB: Urban Symphony will investigate the continuum of Harmony and DisHarmony in the urban environment of Valletta, and question how the movement of the collective - the performing community as well as the people in the city - connect and engage with the city.
Dancers:
Verda Zincirkiran Sarah Chou Kelly Diakoulaki Eliza Paś Ġagħel Dingli Deborah Falzon Nataša Pantović Eve Cocks Nicole Zammit Sarah Sammut Amy Vella Charlene Galea Michal Gil
