Sleeping Lady from Hypogeum Malta Temples 3,500 BC
…death is an important interest, especially to an aging person. A categorical question is being put to him, and he is under an obligation to answer it. To this end he ought to have a myth about death, for reason shows him nothing but the dark pit into which he is descending. Myth, however, can conjure up other images for him, helpful and enriching pictures of life in the land of the dead. If he believes in them, or greats them with some measure of credence, he is being just as right or just as wrong as someone who does not believe in them. But while the man who despairs marches toward nothingness, the one who has placed his faith in the archetype follows the tracks of life and lives right into his death. Both, to be sure, remain in uncertainty, but the one lives against his instincts, the other with them.
Jung (1959) about Archetype, the myth of Dying
Answering the question why the focus on death, Jung replies: “Not to have done so is a vital loss. For the question … is the age-old heritage of humanity: an archetype, rich in secret life, which seeks to add itself to our own individual life in order to make it whole.”
Older we get, more profound is our relationship with our psyche, or soul. Jung translates the Greek - pistis, the New Testament “faith” as “trust”, emphasising the importance of developing the trust in the psyche, trusting the wisdom of the psyche’s timings, using the dream work to develop a relationship with the Self. Tending dreams, and acting on their guidance, respecting intuitions and synchronicities, one gains confidence to face the death.
The divine number, the holy holy Tetractys, we find as a symbol expressing god / divine. The number or a symbol: + , 10, used in Ancient Greece, in Ancient China, and within the Kabbalistic Tree of Life, with its ten spheres.
Tetractys Pythagoras and the Meaning of the number 10 Ten
Ancient Greek Numbers & Corresponding Letters
Have you ever wonder how the Ancient Greek Numerical system looked like? Knowing the Roman numbers (I II III IV V VI VII VIII IX X MCC ) give us an important clue, that the Ancient Greek Numerology must have had alphabetic letters assigned to a number. Manipulating numbers, for our wise anscestors, and ancient philosophers, have also meant, the metaphysics of sounds.
When Ancient Greek Philosophers, and Pythagoras spoke of one (1), two (2), three (3), and four (4 )they also spoke of the SOUNDS.
Ancient Greek Numbers and Corresponding Symbols
Ancient Greek numbers and their symbols
The number 1 or Alpha narrates a story of "F" not "A" that is a symbol of F of both "PH" and "F" of Ancient Egyptians Kings nd Priests. The omega tells us of "G" of George
YHW
A α
Α / F
1
I
ι
Ι
10
R ρ
Ρ
100
+
B β
Β
2
K
κ
Κ
20
S σ
Σ
200
G γ
Γ
3
L
λ
Λ
30
T τ
Τ
300
D δ
Δ
4
M
μ
Μ
40
U υ
Υ
400
E ε
Ε
5
N
ν
Ν
50
F φ
Φ
500
W
Ϛ Vau*
6
Xi
ξ
Ξ
60
Xi χ
Χ
600
C ζ
C
7
O
ο
Ο
70
Ψ
č
Ψ
700
η
eta
8
P
π
Π
80
DŽ
Ω
800
Θ
Θ theta
9
koppa*
Ž
Ϟ
90
Koppa* Đ
Ϡ
900
* Vau, koppa, and sampi are obsolete characters
In the ancient and medieval manuscripts, the numerals had a letter + overbars: α, β, γ
In Ancient Greek for example, 241 as 200 + 40 + 1 would have been ΣMA or 666 is written as χξϛ (600 + 60 + 6)
Ž Č Š Đ DŽ are inserted by myself, for the comparison of the Ancient Greek Symbols and the Cyrilic letters. The Ancient Greek does not have the hard sounds of Ch, Dž, Zh.
The Tetractys symbolizes the four elements: fire, air, water, and earth
Tetractys κτισις = creation = sounding as ThISiS
The first four numbers for Pythagoras symbolize the musica universalis and the Cosmos:
1 = Unity or Monad, zero dimension (a point)
2 = Dyad, one dimension (a line of two points)
3 = Triad, two dimensions, a plane defined by a triangle
4 = Kosmos (Tetrad), a tetrahedron defined by four points
The four rows add up to ten, which was unity of a higher order or the Dekad.
Pythagoras primary numbers symbolical meaning of one, two, three, four, five, six, ten
Holy water and the sacred word, that is all you need. Said a gypsy witch with a snake around her neck.
Maria's tears they are, from the grave of Jesus. Not an item easy to find. Not a request easy to settle. A magic key of ever lasting happiness... Mystical Christianity Alpha and Omega
I'll get you the bottle of tears but for the words, you got to speak with a wizard, a male, not from the Egyptian gypsies, a Bedouin from the desert, the worshipper of Nuit, an Arab, perhaps a sailor with own boat, a Sufi follower, or to a wondering barefoot priest from Syria, a hermit from the Sinai mountain, Sha Ra where MoShe saw the burning bush. That is a bit more difficult for they talk not to women. The Wisdom of Gods is kept amongst them! It used to be with the Pythagoras followers passed with the Numbers, but has been since kept a secret for the past 2,000 years!
A butterfly flew passed breaking the silence building nets of wisdom somewhere in the space. It whispered...
The philosophical research concerning the divine poses the question: Is there a meaning / sense / purpose to voicing / writing / reading as us finite beings talk about god and Infinity?
The so called sacred topography of the Balkans, the northern frontier of the Roman Empire, from the banks of the Danube to the Adriatic Sea, to the south of the Peninsula towards Thessaloniki in Greece, and beyond, towards Malta, Cyprus, Egypt, is the Ancient Europe, hosting mostamazing cultures of a number of the oldest advanced civilizations.
Dionysus and the Maenads amphora by the Amasis Painter 530 BC in Paris
Felix Romuliana,Gamzigrad, Serbia and Dio-NySuS
The village Gamzigrad, 200 AC, is at the banks of the CrniTimok River in Serbia. In 1984 the fragment made of limestone, with an inscription FELIX ROMULIANA, confirmed that Romula’s villa was the memorial of Galerius, co-ruler of Diocletian and Constantine, whose mother was Romulina. Above the village at Magura hill around one kilometre from the main east gate of Romuliana, archaeologists have discovered an ancient grave yard from 300 AC, built on a sacred mound where burial and apotheosis of Galerius’ mother Romula and Galerius himself took place. So the palace, the temples, and the sacred complex was dedicated to Ancient Greek Gods, the emperor and his mother, the post mortal Goddess Romula, who themselves became gods by the consecration act at the mount Magura.
Gamzigrad mosaic of the Ancient Temple Complex-300 AC
Galerius worshiped the god Dionysus and has deified his mother Romula and himself. Dionysus was the ancient god of wine, fertility, theatre, and religious ecstasy. His Roman name was Bacchus. We find him as a God as early as 1500 BC, worshiped by Mycenean Greeks.
“The mosaic representation of Dionysus and the wall relief depicting a sleeping Ariadne symbolize the idea of death – and resurrection, that is, they indicate the two acts of the apotheosis whose impressive material evidence was discovered... The Gamzigrad depiction of Dionysus is the visual representation of this god’s permanent aspiration to bring humans into the world of gods after making them immortal. Dionysus is the saviour of souls and the one who bestows eternal life. Like Dionysus and his mother Semele who joined the gods at the Mount Olympus after Dionysus’triumphal expedition to India, Galerius, the new Dionysus, and his mother Romula ascended to heaven from the top of Magura hill.”
Maja Živić, Felix Romuliana – Gamzigrad, University of Archaeology, Belgrade, 2011.
The striving for liberation of the Dionysian cult is at the core of Ancient Greek spirituality. It is from the Dionysian rites that the idea of the soul related to the divine and the soul immortality was passed to the Humankind.
Belief in one God in Ancient Egypt known as Amarna Heresy
Ancient Greek Canaan Tablets or Ancient Egyptian Amarna Letters 1,350 BC
1360 BC Akkadian diplomatic letter found in Tell Amarna diplomatic correspondence between the Egyptian administration and its representatives in Canaan and Amurru during the New Kingdom
When you get such an important archaeological findings, as the first ever stone letters written in 1,350 BC, found in Ancient Egypt called Ancient Greek, you start to wonder... The lingua franca used during the Late Bronze Age in the area was Akkadian. In 1887, a local Egyptian woman has uncovered a cache of over 300 cuneiform tablets now known as Amarna Letters.
Research and excavations of Amarna Letters symbols
The letters are written in cuneiform and from 382 tablets: 350 are letters from the Pharaoh to his Rulers in Babylonia, Assyria, Mittani, Arzawa, Alashia and Hatti. You can explore them following your own research in the places all over the world:
203 in Berlin (Vorderasiatisches Museum) 49 or 50 in the Cairo Museum 95 in the British Museum 22 in the Ashmolean Museum in Oxford (found by Petrie) 7 in the Louvre 9 in private collections 2 in the Metropolitan Museum New York (acquired by M. Chassinat)
Pharaohs of Canaan and Babylon
Currently known as Canaan (that within its name hid all the important God's sounds “aa”) was in Ancient Egypt and it is most famous for its Amarna Letters from the time of the Babylon Kingdom sent by the Ancient Egyptian Pharaoh AKHeNaTeM during his reign 1,350 BC to 1,330 BC, to his Rulers around the country. Canaan is also known as Phoenicia or present day Lebanon, Syria, Jordan, and Israel.
350 letters carved in 1,350 BC from the King to his Knights! Can you get the complexity and the beauty of this task! What an advanced culture this must have been to be able to communicate with carved letters, to have had wealth and resources we have struggled to achieve since.
